They could only afford one big snake fight and that was at the very end. If they were convincing, the movie would be good. The whole movie depended on the snake effects. Unfortunately, the one thing I realized as I was looking over the script and then the rough cut was that money was a problem.
I thought it looked like a solid B-movie. Whenever a snake was supposed to be doing something, there would just be commands typed into the movie like, "Snake crawls out of sewer" or "Snakes fighting". All the snake special effects were missing and would be filled in later. So he sent me the rough cut and a sweatshirt that had "Boa vs. This time he had a rough cut assembled and was wondering if I wanted to take a look at it. He thanked me for the ideas and went off to Bulgaria to make the movie.Ī couple of months later, he emailed me again.
I especially liked the subway snake fight scene and suggested some possible fighting shots for it. There were monster fights and plenty of nudity. I received a script right away and was excited about what I had read. So remember to make the monster EVIL so that the audience can scream with joy when it is blown to bits.Ī little time went by and he emailed me again.
Ambiguity can kill these kinds of flicks when you have a beast that turns out to actually be a good creature and is just misunderstood. The monster should be vicious and love to kill people at all times. I told him that the difference between a good creature flick and a bad one comes down to the creature itself. This was his first directing effort and he wanted it to be a good one. He had emailed me in the hopes that I could shed some light on what monster movie fans like to see in their monster movies. Python" throughout the process of making this movie. I was in contact with the director of "Boa vs.
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